The Black Opry Revue
October 9 @ 8:00 PM
7 pm doors – 8 pm show
By purchasing tickets, you are agreeing to comply with our COVID-19 Protocol policies.
—Click here to review our Covid 19 protocol—
- ADVANCE PURCHASE: $20
- AT THE DOOR: $30
- All tickets will incur an additional $4.50 surcharge.
- MEMBERS: Please click here to ensure you are logged in so your discount is reflected above and applied at checkout.
- All surcharges and member discounts will be calculated at checkout.
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Black Opry is a home for Black artists and Black fans of country, blues, folk, and Americana music. Country music has been made by and loved by Black people since it’s conception. For just as long, we have been overlooked and disregarded in the genre by fans and executives. Black Opry wants to change that. We invite you to discover, support and enjoy the Black artists that make magic in this space. One of the most valuable aspects of country music is its versatility and diversity in sound. Country, blues, folk, and Americana music often overlap or weave together- these artists explore all of those sounds and intersections. The Black Opry Revue showcases the diversity in sound and stories that Black artists offer to these genres.
Viral-popular Elizabethton, Tennessee-based singer-songwriter Jett Holden is a soft-spoken creative whose smoky tenor has expanded his fanbase by offering a classic country flair to covers of songs including the Spice Girls’ 1996 hit “Say You’ll Be There” and the New Radicals’ 1998 one-hit-wonder “You Get What You Give.” “Taxidermy” takes his online stardom to the real-time realm via lyricism like the stirring social commentary dropped in the song’s hook, noting performative activism as “taxidermy for your Facebook wall.” As a gay, Black man, Holden has stated previously that he “was apprehensive about stepping into the country music arena but is taking the chance and looking forward to building a successful career in the industry.”
Jake Blount (pronounced: blunt) is an award-winning musician and scholar based in Providence, RI. He is half of the internationally touring duo Tui, a 2020 recipient of the Steve Martin Banjo Prize, and a two-time winner of the Appalachian String Band Music Festival (better known as Clifftop). A specialist in the early folk music of Black Americans, Blount is a skilled performer of spirituals, blues and string band repertoire. Blount has performed at the Kennedy Center, the Newport Folk Festival, and numerous other venues across and beyond the United States. He has presented his scholarly work at museums and universities including the Smithsonian Institution, Berklee College of Music and Yale University. His writing has appeared in Paste Magazine, No Depression, and NPR. His latest album, The New Faith, is slated for release as part of Smithsonian Folkways Recordings’ African American Legacy Series on September 23, 2022. Blount enrolled at Hamilton College in 2013. He received his first banjo lessons from Dr. Lydia Hamessley the same fall, and started to structure a course of study around the early traditional music of Black communities in the United States. An electric guitarist since age twelve, Blount shifted his focus to string band music after taking up the banjo and fiddle. In the years that followed, Blount studied under modern masters of old-time music: Bruce Molsky, Judy Hyman (of the Horse Flies), and Rhiannon Giddens and Hubby Jenkins (of the GRAMMY-winning Carolina Chocolate Drops). Blount first achieved widespread recognition within the old-time scene when his band, The Moose Whisperers, claimed first place in the traditional band contest at Clifftop. Blount was the first Black person to make the finals in any category, and he has repeated the feat multiple times since. He launched his career in earnest in the summer of 2017: he received his B.A. in ethnomusicology and released his debut EP, Reparations, with Tatiana Hargreaves. The next three years saw the release of Tui’s Pretty Little Mister, Blount’s victory in the Clifftop banjo competition, and his selection both as a 2020 Strathmore Artist in Residence, and as a member of the International Bluegrass Music Association’s Leadership Bluegrass Class of 2020. Blount released his debut solo album, Spider Tales, on May 29, 2020 through Free Dirt Records. Produced by Jeff Claus and Judy Hyman (of the Horse Flies) and featuring Tatiana Hargreaves, Nic Gareiss, Rachel Eddy and Haselden Ciaccio, the album debuted at #2 on the Billboard Bluegrass Chart and received widespread critical praise. The Guardian declared it an “instant classic” and awarded it five out of five stars. Bandcamp selected it as Album of the Day, and it received positive coverage in NPR, Rolling Stone Country, Billboard Pride and AV Club. Spider Tales later appeared on “Best of 2020” lists from NPR, Bandcamp, The New Yorker, the Guardian, and elsewhere. Blount’s upcoming record, The New Faith, will be released on September 23, 2022 as part of Smithsonian Folkways Recordings’ African American Legacy Series, in collaboration with the National Museum of African American History and Culture. An Afrofuturist concept album, The New Faith explores traditional Black religious music as it might exist post-climate crisis. The album represents a significant progression in Blount’s sound, utilizing his formidable skills as an acoustic musician as well as newfound affinities for electric guitar, looping, and digital processing. The first single, Didn’t It Rain, premiered on NPR’s All Songs Considered, and is available for streaming and purchase. Blount has appeared on podcasts including Radiolab and Soundcheck. He regularly teaches fiddle and banjo at camps like the Augusta Heritage Center’s Old-Time Week, the Ashokan Center’s Old-Time Rollick, and Earful of Fiddle Music and Dance Camp. Jake Blount plays a five-string Nathaniel Rowan fiddle and banjos made by Seeders Instruments and Renan Banjos.
Tylar Bryant is a soulful country recording artist whose path took him on a journey to take the stage in the country music arena. Championing the challenge, where no one saw him coming, Tylar is a new contender who’s in it to win it. The former MMA fighter changed his career path to pursue a passion that caught him completely by surprise. He laid down his gloves to pick up a songwriter’s pen and a guitar. In a courageous leap of faith to chase his dream, Tylar moved to Nashville in 2019. Known for his charismatic stage presence, electric live performances, and infamous beer showers among his audiences, onlookers would never expect Tylar Bryant to be anything but a country music entertainer. Tylar grew up listening to an array of music from rap (Zro, Tupac, Biggie, Hawk, Pimp C) and the tunes that echoed in the background at his grand mom’s home (Al Green, Luther Vandross, The Temptations, Diana Ross). The Texas native prides himself in his authenticity and ability to infuse a mix of styles and sounds. Influenced by some of country music’s greatest voices and performers (such as Jim Reeves, Randy Travis and Chris Young), Bryant marries modern and traditional country sounds with rock and R&B grooves for an added twist. Playing more than 80 shows a year, Tylar’s canvassed the Lone Star State. In 2017, Tylar recorded his debut EP, titled DON’T LET GO, in Nashville co-producing the project that features all original tunes.
IMPORTANT COVID-19 PROTOCOL UPDATES
OLS is committed to providing a safe environment for all who work, listen, or perform live music in our venue. Because our venue is so small, effective on August 3, 2022, we will require all staff, volunteers, and patrons to wear masks indoors unless they are actively drinking, eating, or performing. Certain shows, at the request of those artists, will also require proof of vaccination against COVID-19 for entry to OLS.
We will require mask usage as our default policy unless stated otherwise; please refer to the language on each concert's event page to check the policy for the show you are attending.
If the show you are attending requires proof of vaccination:
Proof of vaccine must come directly from the health care provider that performed the vaccination and can be a photo or physical copy of the vaccination card or record. Full vaccination means that the date of the performance you are attending is:
- at least 14 days after your second dose of an FDA or WHO authorized two dose COVID-19 vaccine, or
- at least 14 days after your single dose of an FDA or WHO authorized single dose COVID vaccine.
We hope we can ease these restrictions once further progress has been made in reducing the transmission of the virus. Until then, we greatly appreciate your patience and cooperation.
TICKETING TERMS & CONDITIONS