Americana/Roots

  • $15

    CANCELLED: John Davidson


    Due to a change in schedule, John Davidson has had to cancel this show. All tickets will be refunded. YES! This is the guy who hosted THE HOLLYWOOD SQUARES, THAT’S INCREDIBLE, and guest hosted THE TONIGHT SHOW STARRING JOHNNY CARSON more than any other singer. He’s celebrating a 50 year career! But you gotta see his live show. John comes out and talks to the audience like he's a stand up comic establishing a relationship with his crowd even before he picks up his guitar and starts to play. Everyone is won over before the second song. He walks around the stage singing and playing instead of just sitting down in a chair and just strumming along with the words. And like a true folkie he is always commenting on society.

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  • $15

    The Stray Birds


    All originally from Lancaster, Pennsylvania, The Stray Birds started as a duo of acoustic buskers in early 2010 when Maya de Vitry and Oliver Craven met with their instruments, their voices, and their songs. It didn't take much convincing to get bassist Charlie Muench on board, and with the addition of a third unique and powerful voice, the group began to define its captivating sound.

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  • $15

    OLS & State Theatre Presents: Hiss Golden Messenger


    The writing of the songs that became Heart Like a Levee started in a hotel room in Washington, DC , in January of 2015 during a powerful storm that dark- ened the East Coast. At that time I was feeling—more acutely than I had ever felt before—wrenched apart by my responsibilities to my family and to my music. Forgetting, momentarily, that for me, each exists only with the other. How could I forget?

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  • $18

    A Memphis Music Revue with Amy Black


    Amy Black's fourth solo release, "Memphis" (June 2017) was recorded in Memphis, TN with Scott Bomar, a grammy-nominated producer and leader of the band The Bo-Keys, at the helm. This powerful 10-song album includes seven originals and three classic covers, featuring three members of the Hi Rhythm section who played on Al Green's classics -- The Rev. Charles Hodges on the Hammond and piano, his brother Leroy "Flick" Hodges on bass, and Howard Grimes on drums, along with former Stax guitarist Bobby Manuel - all architects of the Memphis sound.

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  • $10

    Caroline Cotter & Michael Howard and Jes Raymond & The Blackberry Bushes


    You hear it over and over, “Don’t quit your day job!” but that’s just what Caroline Cotter did at the start of 2015 when she released her national debut album, Dreaming as I Do. Receiving national recognition, the album reached #5 on the Folk DJ charts in February, with the second most played song of the month, Bella Blue.

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  • $10

    State Theatre and OLS Present: David Myles at Port City Music Hall


    This show will be at Port City Music Hall, and tickets can be purchased at their box office or online here. David Myles has always been attracted to another time. The Nova Scotian singer/songwriter felt the pull of history even as a kid, playing an orphan in an Oliver Twist musical and winning a lip-sync contest to “Heartbreak Hotel” as a seven-year-old. “Between those two experiences, I kind of was hooked,” he said. “That’s where I got the entertainment bug.”

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  • $15

    Joe K. Walsh & Celia Woodsmith


    Hailed by CBC-Newfoundland as “one of the best mandolinists of his generation” and by Vintage Guitar Magazine as “brilliant”, Portland, Maine-based mandolin player Joe K. Walsh is known for his exceptional tone and taste, and his collaborations with acoustic music luminaries including legendary fiddler Darol Anger, flatpick guitar hero Scott Nygaard, folk star Jonathan Edwards, and pop/grass darlings Joy Kills Sorrow have taken him all over the global and musical map. He’s played with everyone from John Scofield to Bela Fleck to Emmylou Harris, and performed everywhere from festivals to laundromats to Nashville’s Ryman Auditorium.

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  • $17

    Eilen Jewell


    Honesty, confidence, and respect permeate Eilen Jewell’s music, dating back to her self-released Boundary County album in 2006. Since then, the Boise native has recorded five studio albums for Signature Sounds with her road-tested touring band, and two more as a member of the Boston-based gospel-charged Sacred Shakers (also on Signature Sounds), which includes that well-oiled band at its core. Her latest, Sundown Over Ghost Town, is a masterful culmination of Jewell’s work to date.

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  • $25

    Slaid Cleaves


    Slaid Cleaves. Grew up in Maine. Lives in Texas. Writes songs. Makes Records. Travels around. Tries to be good. Cleaves spins stories with a novelist’s eye and a poet’s heart. Twenty years into his career, the celebrated songwriter’s Still Fighting the War spotlights an artist in peak form. Cleaves’ seamless new collection delivers vivid snapshots as wildly cinematic as they are carefully chiseled. Dress William Faulkner with faded jeans and a worn six-string for a good idea. “Slaid’s a craftsman,” says Terri Hendrix, who sings harmony on “Texas Love Song.” “He goes about his songs like a woodworker.”

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  • $12

    Leyla McCalla


    Named 2013’s Album of the Year by the London Sunday Times and Songlines magazine, Leyla McCalla’s debut album, Vari-Colored Songs: A Tribute to Langston Hughes, made a profound impression upon all who heard it. The record, which set some of Hughes’ poems to Leyla’s music, and also included original compositions and Haitian folk songs, received rapturous reviews for its haunting mixture of music and message.

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  • $18

    Griffin House


    This show was rescheduled from 3/15/17. All tickets to the original show will be honored. It is a true, and nowadays rare, musician who writes lyrics so vulnerable and authentic that an audience is irrevocably captured by the powerful experience of sharing the journey. An album that is essentially an autobiographical account of personal mistakes, change, and growth, offers listeners a chance to reflect on their own experiences and connect with another’s story.

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  • $12

    Front Country


    An acoustic band born in the land of tech innovation, Front Country was never going to be accepted as an authentic American roots band out of the gate. Cutting their teeth in progressive bluegrass jams in San Francisco’s Mission District and rehearsing in the East Bay, they learned to play roots music their own way, with the tools they had on hand.

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