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Mark Erelli and Mary Bragg

Mark Erelli has forged a colorful career by making the art of “being everywhere all the time” seem effortless.

It’s hard to think of another artist who seems equally at home serving as a sideman for GRAMMY-winning artists like Paula Cole, Marc Cohn, and Josh Ritter, or producing albums for Lori McKenna, as he does writing and producing his own material, like 2019’s “By Degrees,” on which he was joined by a host of voices including Rosanne Cash and Sheryl Crow, and nominated for Song of the Year at the Americana Honors and Awards. His 2020 album Blindsided found Mark “nodding to another icon, heartland hero Tom Petty,” emphasizing “12-string guitar jangle and straightforward vocal hooks.” (Rolling Stone). An album in “the sweet spot” (Associated Press), Blindsided combines the exuberance of Erelli’s signature sound with the wisdom that comes with over 20 years of songwriting, capturing an artist at a point in his career where he is clearly digging deep and swinging for the fences.

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“Writing is the most vulnerable state that I’m ever in,” says Mary Bragg. “But there can be a real beauty in that vulnerability when you know you’ve written the strongest thing that you can, when you’ve paired a killer melody with a meaningful lyric that says exactly what you’ve always wanted to say.”

With her stunning new album, ‘Violets as Camouflage,’ Bragg examines that vulnerability in all its delicate splendor, holding it up like a diamond to the light as she carefully studies each sparkling facet. Self-produced and self-engineered at Bragg’s home studio in Nashville, TN, the fourteen-song collection is both beautiful and blunt, the work of an artist only just beginning to embrace the full range of her talents. She writes with a keen eye for detail and an extraordinary sense of empathy, populating the album with a cast of characters grappling with pain and loneliness and longing and desire, questioning when to dig in and when to give up as they struggle to cope with hardship and loss. The arrangements here are rich and rootsy, pulling from country, folk, and blues to weave a timelessly organic blend around Bragg’s breathy, evocative voice as she sings about the kind of raw emotion that might have seemed impossible to address even just a few years ago.

“I grew up in the South, where it’s not super common to come right out and say what you feel or to talk openly about your intimate emotional experiences,” says the Georgia native. “The further along I get on my quest as an artist, though, the more natural it starts to feel. Writing this album was part of my skin shedding.”7pm doors –

8pm show | $15 adv. – $20 day of

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OLS Covid-19 Protocols:

We are very excited to begin hosting live music shows again in our listening room. OLS is committed to providing a safe environment for all who work, listen, or perform live music in our venue. Because our venue is so small, we will require all staff, volunteers, performers, and patrons to show proof of full vaccination against COVID-19 when they attend OLS events AND to wear masks indoors unless they are actively drinking, eating, or performing.

Proof of vaccine must come directly from the health care provider that performed the vaccination and can be a photo or physical copy of the vaccination card or record with an accompanying photo ID. Full vaccination means that the date of the performance you are attending is:

*at least 14 days after your second dose of an FDA or WHO authorized two dose COVID-19 vaccine, or

*at least 14 days after your single dose of an FDA or WHO authorized single dose COVID vaccine.

We hope we can ease these restrictions once further progress has been made reducing transmission of the virus. Until then, we greatly appreciate your patience and cooperation.

One Longfellow Square does not assume liability; the ticket holder will assume all risks involved. By purchasing a ticket to this event you agree to assume full liability for any risks incurred before, during and after the event and agree to the current Terms of Use.